?

這是一場(chǎng)關(guān)于人文力量與自然相衡的主題展覽。穿透時(shí)空的黑色迷霧，變與不變乃宇宙實(shí)相，冷熱、明暗皆為我們的同分妄見(jiàn)?？臻g從內(nèi)在的兩岐性循跡出發(fā)，將個(gè)體心智的滋養(yǎng)歷程與自然環(huán)保的悖論之殤相結(jié)合，以點(diǎn)燈者的姿態(tài)在首屆大灣區(qū)時(shí)尚家居展上照亮這世間踽踽獨(dú)行的思想者。

This is a thematic exhibition about the balance between human power and nature. Through the black mists of space and time, change and constancy are universal realities, cold and hot, light and dark are all part of our identity. Space combines the nurturing process of the individual mind with the paradox of nature and the environment, starting from the inherent cycle of bipolarity, a lone thinker lights up the world at the First Bay Area Fashion & Home Show as a lamplighter.

?

——宇合光年·張耀天

UNEASINESS & PARADOX展覽序言

——Fun Connection Design?Zhang Yaotian

UNEASINESS & PARADOX Exhibition introduction

明暗交織·兩岐空間

UNEASINESS & PARADOX

首屆大灣區(qū)時(shí)尚家居展

The space of dichotomy between light and dark

UNEASINESS & PARADOX

The First Bay Area Fashion Home Show

?

UNEASINESS & PARADOX主題展以“個(gè)體篇”與“自然篇”兩大空間脈絡(luò)隱喻人文精神與公共領(lǐng)域的聯(lián)結(jié)關(guān)系，并采用燈光裝置的表現(xiàn)方式構(gòu)建獨(dú)特視覺(jué)矩陣，局部以橙色亞克力凸顯“能量”形象，以此映射斑斕的精神底色，為訪者呈現(xiàn)一個(gè)神秘而又震撼的感知世界。

The UNEASINESS &?PARADOX?Exhibition is a metaphor of the connection between the human spirit and the public sphere through two spatial threads: “The individual”and “The natural”, part of the orange acrylic highlights the “Energy”image, so as to reflect the colorful spiritual background, for visitors to present a mysterious and shocking perception of the world.

?

?

CHAPTER Ⅰ個(gè)體篇

思想在迷宮中冒險(xiǎn)潛行，發(fā)現(xiàn)社會(huì)背后的自我

The Mind Ventures through the maze to discover the self behind society

?

?

美，不存在于物體之中，而存在于物與物產(chǎn)生的陰翳的波紋和明暗之中。沉潛于黑暗的回廊與流線(xiàn)中，發(fā)現(xiàn)內(nèi)心深處的自我之美，當(dāng)我們穿梭其中遡迴徘徊，宿命又將我們指向何處？

Beauty is not found in things, but in the ripples and shadows of things and their shadows. Dive into the dark corridors and streamline, find the inner beauty of the self, as we shuttle back and forth among them, where will fate take us?

佇立于鐫刻著文字的黑色“精神支柱”前，泛泛白光如魚(yú)肚般在思想海邊吐納不息。詞語(yǔ)的淬煉、心靈的淘洗、內(nèi)心的不安，巨大的想象空地之間形成了一種復(fù)雜的張力將我們包裹。

Standing in the engraved text of the black “Spiritual pillar,”the pan-white light like a fish stomach in the thought of the sea breathing. The hardening of words, the washing of the soul, the inner restlessness, the huge imagination space between the formation of a complex tension will wrap us.

?

諾瓦爾大街沒(méi)有卑下的姿態(tài)，不像資產(chǎn)階級(jí)的大街那樣向行人獻(xiàn)媚，正如薩特所言，生活越來(lái)越奇幻，人幾乎無(wú)所適從，屈服內(nèi)心不安的我們何嘗不是在向這些文字、生活低頭諂媚？

There was no humbleness to the street, no bourgeois street fawning over the passers by, and, as Sutter put it, life became more and more fantastic, and one was almost at a loss what to do, give in t沈飛集團(tuán)官網(wǎng)o our inner unrest is not to these words, life bow to flattery?

?

存在主義思潮之下，被機(jī)器、被欲望裹挾著向前奔涌的我們不妨傾聽(tīng)內(nèi)心真正的聲音：直面不安，做你自己。接受自我思想與力量洗禮，在塵世洪流中真正找到自己的存在與歸屬。

In the midst of existentialism, we might as well listen to our true inner voice: face our insecurities and be yourself, carried forward by machines and desires. To accept the baptism of self-thought and power, to find their own existence and belonging in the flood of the world.

?

CHAPTER Ⅱ自然篇

光明在場(chǎng)域中驅(qū)散陰霾，點(diǎn)亮精神世界的底色

The light disperses the haze in the field, li東風(fēng)汽車(chē)集團(tuán)ghtens the spiritual world the background color

?

我們連同肉、血和腦都是屬于自然界并存在于其中的。

——恩格斯

We belong and exist in nature together with our flesh, blood and brain.

——Engels

?

?

?

黑色讓我們直擊內(nèi)心，光源卻從另一維度體現(xiàn)了個(gè)人與自然主義的悖論性：一方面空間環(huán)境的過(guò)渡與割裂，在明暗交替處給予重新“上路”的勇氣；同時(shí)，亦是自然給我們的信號(hào)與警示。

Black lets us hit the heart, but the light source from another dimension reflects the paradox of the individual and naturalism: on the one hand, the transition and separation of the space environment, in the light and dark alternating place to give the courage to “Start”again; at the same time, it’s also a sign and a warning from nature.

?

材料軟性燈管以形寫(xiě)意，黑色鏡面與白色強(qiáng)光折疊的超時(shí)空?qǐng)鲇蛳?，橙色亞克力裝置凸顯“能源”形象為空間注入一絲活力。明暗交界的當(dāng)代語(yǔ)境中，人與自然的脈絡(luò)故事由此展開(kāi)。

Material soft lamp to shape freehand, black mirror and white light folding space-time field, orange acrylic device highlights the “Energy”image of space into a ray of vitality. In the contemporary context of the junction of light and dark, the story of Man and nature unfolds from this point.

?

思想的觸角或伸向天空，或扎根地下，地面落葉與虛擬虬枝形成現(xiàn)實(shí)與歷史、自然與人文的二次對(duì)立。同自然對(duì)話(huà)，在萬(wàn)物之中，喚醒對(duì)內(nèi)心場(chǎng)地的聯(lián)結(jié)記憶及環(huán)保初心的原始渴望。

The tentacles of thought either extend to the sky, or take root in the ground, the ground leaves and virtual qiu Zhi Formation of reality and history, nature and humanity of the secondary opposition. Talk with nature, amon就業(yè)見(jiàn)習(xí)崗位g all things, to awaken the connection memory of the inner field and the original desire for environmental protection.

?

自然如同一面照見(jiàn)自己的鏡子，可以窺見(jiàn)我們的精神世界：內(nèi)心的不安、生命的奔流、環(huán)保的悖論。當(dāng)我們駐足思考時(shí)，不妨想想“來(lái)時(shí)”的路（革故），“要走”的路（鼎新），如何走好路（真正思考人與環(huán)境的關(guān)系）……

Nature is like a mirror to see ourselves, we can see our spiritual world: inner unrest, the flow of life, environmental paradox. When we stop to think, might as well think “When”the road (reform) , “To go”the road (Dingxin) , how to take a good road (really think about the relationship between people and the environment) ...

?

當(dāng)人文力量與自然相衡

究竟會(huì)產(chǎn)生怎樣的火花

……

一千個(gè)讀者就有一千個(gè)哈姆雷特

而生命的作者，只有你自己

FIND YOURSELF

UNEASINESS&PARADOX

?

When the forces of humanity and nature balance

What kind of sparks are gonna be generated

……

1,000 readers, 1,000 Hamlett

And the author of Life Is You

FIND YOURSELF

UNEASINESS&PARADOX

項(xiàng)目信息

Project Information

項(xiàng)目名稱(chēng)：UNEASINESS&PARADOX燈博展

Project?Name:UNEASINESS&PARADOX?Lighting Exhibition

項(xiàng)目地點(diǎn)：中國(guó)·古鎮(zhèn) 利和燈博中心

Project Location: LIHE LIGHTING EXPO CENTER.GUZHEN,ZHONGSHAN CHINA

設(shè)計(jì)范圍：約174㎡

改派手續(xù)Design Scope: About?174㎡

設(shè)計(jì)機(jī)構(gòu)：宇合光年

Design Institute: Fun Connection Design

策展人：張耀天

Curator: Zhang Yaotian

設(shè)計(jì)團(tuán)隊(duì)：金張瑩、張淼、陶安娜

Design Team: Jin Zhangying、Zhang Miao、Tao Anna

深化設(shè)計(jì)：張棒、趙戈森

Deepening Design: Zhang Bang、Zhao Gesen

平面設(shè)計(jì)：邰淑婷

Graphic Design:Tai Shuting

攝影師：歐宗保

Photographer：Turbo

撰稿文案：設(shè)計(jì)紀(jì)元

Script Edition:?Design Epoch

?